January 29, 1852 Transcription

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Chapter XXXI.

“The dark places of the earth are full of the habitations of cruelty.”

Trailing wearily behind a rude wagon and over a ruder road, Tom and his associates faced onward.

In the wagon was seated Simon Legree, and the two women, still fettered together, were stowed away with some baggage in the back part of it, and the whole company were seeking Legree’s plantation, which lay a good distance off.

It was a wild, forsaken road, now winding through dreary pine barrens, where the wind whispered mournfully, and now over log causeways through long cypress swamps, the doleful trees rising out of the slimy, spongy ground, hung with long wreaths of funereal black moss, while ever and anon the loathsome form of the moccasin snake might be seen sliding among broken stumps and shattered branches that lay here and there rotting in the water.

It is disconsolate enough, this riding, to the stranger, who, with well-filled pocket and well-appointed horse, threads the lonely way on some errand of business; but wilder, drearier, to the man enthralled, whom every weary step bears further from all that man loves and prays for.

So one should have thought, that witnessed the sunken and dejected expression on those dark faces—the wistful, patient weariness with which those sad eyes rested on object after object that passed them in their sad journey.

Simon rode on, however, apparently well pleased, occasionally pulling away at a flask of spirit which he kept in his pocket.

“I say, you!” he said, as he turned back and caught a glance at the dispirited faces behind him! “Strike up a song, boys—come!”

The men looked at each other, and the “come” was repeated with a smart crack of the whip, which the driver carried in his hands. Tom began a Methodist hymn—

“Jerusalem, my happy home,
 Name ever dear to me;
When shall my sorrows have an end,
 Thy joys when shall”——

“Shut up, you black cuss,” roared Legree, “did ye think I wanted any o’ yer infernal old Methodism? I say, tune up, now, something real rowdy—quick!”

One of the other men struck up one of those unmeaning songs common among the slaves.

Massa see’d me cotch a coon,
 High boys high!
He laughed to split, d’ye see the moon,
 Ho! ho! ho! boys, ho!
Ho! yo! hi—e! oh!

The singer appeared to make up the song to his own pleasure, generally hitting on rhyme, without much attempt at reason, and all the party took up the chorus at intervals,

Ho! ho! ho! boys, ho!
High—e—oh! high—e—o!

It was sung very boisterously, and with a forced attempt at merriment; but no wail of despair, no words of impassioned prayer, could have had such a depth of woe in them as the wild notes of the chorus. As if the poor dumb heart, threatened—prisoned—took refuge in that inarticulate sanctuary of music, and found there a language in which to breathe its prayer to God. There was a prayer in it, which Simon could not hear. He only heard the boys singing noisily, and was well pleased; he was making them “keep up their spirits.”

“Well, my little dear,” said he, turning to Emmeline, and laying his hand on her shoulder, “we’re almost home!”

When Legree scolded and stormed, Emmeline was terrified; but when he laid his hand on her, and spoke as he now did, she felt as if she had rather he would strike her. The expression of his eyes made her soul sick, and her flesh creep. Involuntarily she clung closer to the mulatto woman by her side, as if she were her mother.

“You didn’t ever wear ear-rings,” he said, taking hold of her small ear with his coarse fingers.

“No, mass’r!” said Emmeline, trembling and looking down.

“Well, I’ll give you a pair when we get home, if you’re a good girl. You needn’t be so frightened; I don’t mean to make you work very hard. You’ll have fine times with me, and live like a lady—only be a good girl.”

Legree had been drinking to that degree, that he was inclining to be very gracious; and it was about this time that the enclosures of the plantation rose to view. The estate had formerly belonged to a gentleman of opulence and taste, who had bestowed some considerable attention to the adornment of his grounds. Having died insolvent, it had been purchased at a bargain by Legree, who used it as he did everything else, merely as an implement for money-making. The place had that ragged, forlorn appearance, which is always produced by the evidence that the care of the former owner has been left to go to utter decay.

What was once a smooth-shaven lawn before the house, dotted here and there with ornamental shrubs, was now covered with frowsy tangled grass, with horse-posts set up here and there in it, where the turf was stamped away, and the ground littered with broken pails, cobs of corn, and other slovenly remains. Here and there a mildewed jessamine or honeysuckle hung raggedly from some ornamental support which had been pushed to one side by being used as a horse-post. What once was a large garden, was now all grown over with weeds, through which, here and there, some solitary exotic reared its forsaken head. What had been a conservatory, had now no window-sashes, and on the mouldering shelves stood some dry, forsaken flower-pots, with sticks in them, whose dried leaves showed they had once been plants.

The wagon rolled up a weedy gravel walk, under a noble avenue of China trees, whose graceful forms and ever-springing foliage seemed to be the only things there that neglect could not daunt or alter—like noble spirits, so deeply rooted in goodness, as to flourish and grow stronger, amid discouragement and decay.

The house had been large and handsome. It was built in a manner common at the South; a wide verandah of two stories running round every part of the house, into which every outer door opened, the lower tier being supported by brick pillars.

But the place looked desolate and uncomfortable; some windows stopped up with boards, some with shattercd[1] panes, and shutters hanging by a single hinge—all telling of coarse neglect and discomfort.

Bits of board, straw, old decayed barrels and boxes, garnished the ground in all directions; and three or four ferocious-looking dogs, roused by the sound of the wagon wheels, came tearing out, and were with difficulty restrained from laying hold of Tom and his companions, by the effort of the ragged servants who came after them.

“Ye see what ye’d get,” said Legree, caressing the dogs with grim satisfaction, and turning to Tom and his companions.

“Ye see what ye’d get, if ye try to run off. These yer dogs has been raised to track niggers; and they’d jest as soon chaw one on ye up as eat their supper; so mind yerself! How now, Sambo!” he said, to a ragged fellow without any brim to his hat, who was officious in his attentions.

“How have things been going?”

“First rate!”[2]

“Quimbo,” said Legree to another, who was making zealous demonstrations to attract his attention, “ye minded what I telled ye?”

“Guess I did, didn’t I?”

These two colored men were the two principal hands on the plantation. Legree had trained them in savageness and brutality as systematically as he had his bull dogs, and by long practice in hardness and cruelty brought their whole nature to about the same range of capacities. It is a common remark, and one that is thought to militate strongly against the character of the race, that the negro overseer is always more tyrannical and cruel than the white one. This is simply saying that the negro mind has been more crushed and debased than the white. It is no more true of this race than of every oppressed race the world over. The slave is always a tyrant, if he can get a chance to be one.

Legree, like some potentates we read of in history, governed his plantation by a sort of resolution of forces. Sambo and Quimbo cordially hated each other; the plantation hands one and all cordially hated them; and by playing off one against another, he was pretty sure through one or the other of the three parties to get informed of whatever was on foot in the place.

Nobody can live entirely without social intercourse, and Legree encouraged his two black satellites to a kind of coarse familiarity with him—a kind of[3] familiarity, however, at any moment liable to get one or the other of them into trouble, for, on the slightest provocation, one of them always stood ready at a nod to be a minister of his vengeance on the other.

As they stood there now by Legree, they seemed an apt illustration of the fact that brutal men are lower even than animals. Their coarse, dark, heavy features; their great eyes rolling enviously on each other; their barbarous, gutteral, half-brute intonation; their dilapidated garments fluttering in the wind, were all in admirable keeping with the vile and unwholesome character of everything about the place.

“Here, you Sambo,” said Legree, “take these yer boys down to the quarters; and here’s a gal I’ve got for you,” said he, as he separated the mulatto woman from Emmeline, and pushed her towards him—“I promised to bring you one, you know.”

The woman gave a sudden start, and, drawing back, said, suddenly—

“Oh, mass’r! I left my old man in Orleans.”[4]

“What of that, you ——; won’t you want one here? None o’ your words—go long,” said Legree, raising his whip.

“Come, mistress,” he said to Emmeline, “you go in here with me.”

A dark, wild face was seen for a moment to glance at the window of the house; and as Legree opened the door, a female voice said something, in a quick, imperative tone.

Tom, who was looking with anxious interest after Emmeline, as she went in, noticed this, and heard Legree answer, angrily—[5]

“You may hold your tongue; I’ll do as I please, for all you.”

Tom heard no more; for he was soon following Sambo to the quarters. The quarters was a little sort of street of rude shanties, in a row, in a part of the plantation far off from the house. They had a forlorn, brutal, forsaken air. Tom’s heart sunk when he saw them. He had been comforting himself with the thought of a cottage, rude, indeed, but one which he might make neat and quiet, and where he might have a shelf for his Bible, and a place to be alone out of his laboring hours. He looked into several; they were mere rude shells, destitute of any species of furniture, except a heap of straw, foul with dirt, spread confusedly over the floor, which was merely the bare ground, trodden hard by the tramping of innumerable feet.

“Which of these will be mine?” said he to Sambo, submissively.

“Donno; ken turn in here, I spose,” said Sambo; “spects thar’s room for another thar; thar’s a pretty smart heap o’ niggers to each on em now; sure I donno what I’s to do with more.”

✷   ✷   ✷   ✷   ✷   ✷   ✷

[to be continued.]

Notes

This Stowe Center edition reproduces the National Era serial text of Uncle Tom’s Cabin. The wording of the newspaper in many cases differs from publisher John P. Jewett’s first edition. At the conclusion of each installment, notes are provided on a small selection of textual variants, those which have the greatest interpretive significance. The model for these notes is editor John Bryant’s concept of fluid-text editing, which foregrounds the interpretation of textual variants as an act of critical reading. Readers who hold alternate interpretations are encouraged to submit comments to the blog. For general comments on the text and the bibliography, see the Note on the Text.

Note 1
some with shattercd panes, and | Era pg. 19
some with shattered panes, and | Jewett (1852) vol. 2, pg. 180

The Jewett edition spelling “shattered” is obviously correct; the Era spelling “shattercd” is an obvious error, and the cause of the error in the serial text is presumably that a type letterform “c” was misplaced in the “e” slot when type was returned to the case. Below, the Era spelling “gutteral” differs from “guttural” in the Jewett edition text. Though “gutteral” is a comparatively rare spelling, it is not corrected in the Stowe Center text. [Back]

Note 2
been going?” ¶ “First rate!” ¶ “Quimbo,” said | Era pg. 19
been going?” ¶ “Fust rate, Mas’r.” ¶ “Quimbo,” said | Jewett (1852) vol. 2, pg. 180

In the Era, Quimbo, one of Simon Legree’s slave overseers, responds to his slavemaster’s query in standard English and neglects to address him with the standard honorific title, which is typically spelled “masser” (rather than “Mas’r”) in the newspaper. In the newspaper, the use of formal “First” rather than dialect “Fust” and the omission of “Mas’r” might suggest that Quimbo’s place as overseer elevates him above typical slaves, that he is permitted to address Legree without the formal title.

In the Jewett edition, dialect in this instance is more in keeping with Stowe’s general forms for Quimbo’s speech, which is also typical for his counterpart Sambo. The word “Mas’r” as the form of address lowers Quimbo’s status as overseer to no higher than another slave. Recall from chapter 12 that Stowe drew attention to the “invariable ‘yes massr’—for ages the watch-word of poor Africa” (August 28, 1851), which suggests that the form “Mas’r” would be expected by Legree. [Back]

Note 3
familiarity with him—a kind of familiarity, however, | Era pg. 19
familiarity with him,—a familiarity, however, | Jewett (1852) vol. 2, pg. 181

In the Era, Stowe twice qualifies Sambo’s and Quimbo’s familiarity with a similar phrase, “a coarse kind of familiarity” and “a kind of familiarity.” As the phrase “a kind of” is repeated in the newspaper, the revision in the Jewett edition was intended presumably to remove the instance of repetition. It is common that repeated words and phrases in the Era are altered to avoid repetition in the Jewett edition, so the alteration or correction is presumably authorial. [Back]

Note 4
man in [omit] Orleans.” ¶ “What | Era pg. 19
man in New Orleans.” ¶ “What | Jewett (1852) vol. 2, pg. 182

The Era form “Orleans” is generally used by Stowe in character dialog that suggests a reference to the city as exotic or momentous place: Haley when talking to Arthur Shelby in the first chapter refers to the city as “Orleans” to highlight his familiarity with the slave trade, and Miss Ophelia’s Vermont mother considers “Orleans” as an “awful wicked place.” By contrast, for those who refer to New Orleans as the proper name of the city (Augustine St. Clare, the narrator, etc.), the most common term is “New Orleans.” Stowe by this alteration for the Jewett edition indicates that to Lucy the city of New Orleans is the home where she formerly resided and her husband currently resides, not some unfamiliar or notably exotic location. [Back]

Note 5
Legree answer, angrily— ¶ “You may hold | Era pg. 19
Legree answer, angrily, “You may hold | Jewett (1852) vol. 2, pg. 182

In one paragraph in the Era, which begins after the phrase “quick, imperative tone,” Uncle Tom both observes Emmeline’s entrance into the plantation house and hears some words from a woman (who will later be revealed as Cassy) inside. A new paragraph begins when Simon Legree answers the voice. In the Jewett edition, the narrative descriptions of Tom’s observations and Legree’s answer are all in the same paragraph, which begins with the observation of “A dark, wild face” and concludes after Legree speaks. The newspaper version places somewhat greater stress on Tom as an observing agent, whose observations are interrupted by Legree’s voice. The paragraphing in the Jewett edition and subsequent reprints place somewhat greater stress on the narrator’s third-person observation, which is less closely associated with Tom’s role as the observer. [Back]

Copyright 2011. For introduction and annotation, all rights reserved. The text is distributed under a Creative Commons License. Creative Commons License Uncle Tom’s Cabin: National Era by Harriet Beecher Stowe is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available at Copyright Commons License.

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